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Poetry By Isaiah Vianese
BIO: Isaiah Vianese lives and writes in Missouri. His work has appeared in such journals as The Cherry Blossom ReviewThe Fourth River, and Unfettered Verse. For more information on Isaiah, please visit ivianesefromyes.blogspot.com.

STORY WITHOUT IDEAS

 Today I observed the following:

a man with a coffee cup

indoctrinating a woman

with sugar and cream.

 

The event turned so sour,

the dairy curdled.

He told her to leave,

and then left as if in protest

of his own idea.

 

In all the worst films,

the man would return.

 

In all the worst books,

he would stay gone

until a memory calls him back.

 

Can you see, I am trying

to tell you a story

but the lines have gone confused?

 

Reader, we’ve forgotten

so much about one another,

about this world outside

our bodies.

 

There are peoples’ names and streets,

paved parking lots, garbage trucks

with loud mouths,

busy storefronts, but few memories

and no ideas.



REGRET

 

The trees lining the salt mine

have grown into death thirsty

as pillar after pillar has been carried

to the surface as grains or crystals.

Their bark burned away,

all that remains are blackened shells

of leaves once grown

and rays of the sun.

 

I make my way

through the dead.

Here a farmer once lived,

herding his cattle across the road

to the troth and field.

There my great-grandmother worked

packing peas and corn into cans,

wearing a white apron and sweat.

 

This is what our world has become:

a road lined with bodies

that once could have been called people,

drivers making their way

on gas they can’t afford,

a memory of a life once lived

that wouldn’t recognize its own reflection.

Reader, what have we done?            

THE WHEELBARROW, THE PLUM

 

You’re not supposed to write about love

but about the wheelbarrow full of stones

 

and the plum wrapped in maroon skin like a heart.

But what does it matter?

 

Is it not love to glorify that beautiful contraption

with its one sturdy wheel, that helps you push

 

your burdens up the steep hill of this life?

Should we not sing because we love the ripe sphere

 

that holds sweet juices for us? Should not every poem

break love’s skin and let the juices leak

 

as if there is so much it cannot be contained?

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