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Poet Corey Mesler

BIO: COREY MESLER is the owner of Burke’s Book Store, in Memphis , Tennessee , one of the country’s oldest (1875) and best independent bookstores.  He has published poetry and fiction in numerous journals including Rattle, Pindeldyboz, Quick Fiction, American Poetry Journal, Thema, Mars Hill Review, Adirondack Review, Poet Lore and others.  He has also been a book reviewer for The Memphis Commercial Appeal and Memphis Flyer.  A short story of his was chosen for the 2002 edition of New Stories from the South: The Year’s Best, published by Algonquin Books.   Talk, his first novel, appeared in 2002. Nice blurbs from Lee Smith, John Grisham, Robert Olen Butler, Frederick Barthelme, and others. His 2nd novel, We Are Billion-Year-Old Carbon, came out in January 2006. It garnered praise from George Singleton, Marshall Chapman, Steve Stern and others. His latest poetry chapbooks are Short Story and Other Short Stories (2006), The Hole in Sleep (2006), The Lita Conversation (2006) and The Agoraphobe’s Pandiculations (2006). His poem, “Sweet Annie Divine,” was chosen for Garrison Keillor’s The Writer’s Almanac. He also claims to have written “Gitarzan.”  Most importantly, he is Toby and Chloe’s dad and Cheryl’s husband. He can be found at www.coreymesler.com.

The Sons of Adam

 

 

 

“Whatever shuts a human being away from the waterfall and the tiger will kill him.”

                                    --Robert Bly

 

 

 

 

The sons of Adam had gathered in

the church basement. Gayla was

serving her usual pot

roast. One tall guy, a real Viking,

began the proceedings

with a reading from the Book of Leonard

Cohen. From there the

meeting really hummed with fresh love.

Perhaps too much so: when

the Viking pulled down Gayla’s mask

rumors rose to the surface.

Gayla ended up underneath the

old man’s Chevrolet. The sons of Adam

said their next meeting would

be on secular ground. Someone sug-

gested the sloop kitchen.

Someone else the Bank of the University

of North Catatonia. It didn’t

matter much. The sons of Adam were

as flexible as breeze in the downs.  

They met because getting together was

meaningful, because when

men convene a third thing is born, a

way to heal the inner dog,

a way to the waterfall and the tiger, yes.

 

. K. Williams at the Pink Palace, November 2007

 

 

 

 

 

            “Listened like one in whom a train of novel ideas had been

            excited by the reasoning of the other.”

                        --James Fenimore Cooper

 

 

 

The crowd was as large as

life and almost as natural.

The aisles were full of palm trees,

students in coats and mufti,

castaways from the university..

C. K. Williams commandeered the

microphone, which kept

drooping like a penis, like a potentate.

The crowd stirred as if it

believed it had the recipe for manna.

The poems rolled out over

their heads like an ocean. The poems

rolled out in an infinite stream,

words that stormed and shook and re-

vived the sleeping saviors,

from the poems long as a spear’s flight,

from the concluding books

of the concluding gospel.

 

In my Dream Sarah Polley

 

 

In my dream Sarah Polley

plays my wife.

There is a house, a dream house.

It is furnished with

all the books I have written, rooms

of books. Friends,

it is furnished as if I were a potentate

instead of a poet.

And, at the end of a long day, adding

irony to irony, taking

pleasure where I can find it, behind

this pilcrow or that,

Sarah Polley is waiting for me.

She is wearing that smile, the one we

all get warm by, the smile

that says, there are things beyond

understanding, and dreams

are their abode.

This is the message of the dream,

the dream where

Sarah Polley is my wife.

In the bedroom of our house, did I

tell you?, there is

a bed made out of cloud, a dream bed.

It is there that the real poetry

is made or unmade. Amen. .

Ready

 

 

I wait at every door.

My name is the last

penciling near your phone.

The penultimate look you gave

me lingers in the air

like a bad cologne.

I act as if I can’t remember it.

There is news of

your arrival.

I search for my best heart.

 

 

 

 

About my Brother’s Novel The State of Grace

 

 

 He tells me he’s only a storyteller.

I tell him the metaphor is his friend.

His words gather like hierophants.

I want to read the page after the page.

He calls me from Vermont, his voice

a tinkling along icy wires.

“Be atrocious,” he advises.

I open the book at random and find

something there that startles.

He writes from his lap. I do too but

because of a fire there.

He tells me he’s only a stenographer.

I dig up the bones of something we

both thought was buried.

I offer him these. He tells me the final story.

 

 

 

 

 

 

Jacktar

 

The moon in the river

is not the moon.

It moves on like a dinghy,

one we built

from the detritus of childhood,

a dream boat.

The Band

  They covered one of my

favorite anthems.

I sat in the back near

the darkness

and the blond with the

tattoo gibbet.

They sang a song I think

they called Vulva.

Around midnight

the guitarist launched into

the story of my life.

I sat back like

Id heard it all before.

I Love You, Keely Smith

 

 

 

The drummer said the backbeat

was made by a drunken rainstorm.

The cigarette girl was spiking

all the candles so that they burned

with bloody flames. The eyes of

the audience had been replaced

with olive pits. When the singer

stepped to the microphone my

heart did a villanelle. I only wanted

to return to a time when I loved

like a monkey loves. I only wanted

to take her in my paws and

whisper my latest prescription.

Instead I fell asleep like a narco-

leptic. Instead I fell apart like

an erector set. Instead I fell in love

like a man adrift, a listening stone.

It was Keely Smith, Kitten.

It was Keely Smith, Sardoodledom.

It was always always Keely Smith.

 

Idyll

 

 

 

I wrote the word empyrean

on a colored sheet of paper.

It sat on my desk like a starfish,

so bright I could not take my

eyes from it. The children come

afternoons to stand and stare.

At night, when I am alone, I ask

of it simple things, food, hope,

a way out of the maze of personality.

Really, its silence is so inspiring!

Griot

 

 

 “Women’s work and children’s play.  These are the mysteries.”

                        Peter Redgrove

 

 

 

 

 

I can hear her in there,

my daughter,

among the overabundance

of childhood

writing her soap operas,

moving along at

a confident clip,

never stopping to edit or

rewrite.  She

has imagination that lasts

all day.

And while I listen to the

burble of her

voice through the door

I wonder at the stories

colliding in her little head.

Where did they come from?

And again—how can

I just let them die

in the air?

I motion my wife over to

listen also.

It’s the least I can do.

An audience of two for a

performance

given once, yet perfected

like a rock

granted centuries of lapidarian water

John and Bob and I

                 "Hear the cruel no-answer until blood drips down"

                                                    -Ikkyu

                                John Lennon, Bob Dylan and I

went out to the forest where

there dwelt a man so wise, it was

said, that few understood his

pronouncements.  When we approached

his hut we were blocked by

a sign, which read: I am always out.

John Lennon, Bob Dylan and I

stood for a while in abject silence

(for we had come far for nothing)

and when we once more reached

the city we parted without goodbyes.

John and Bob went home and wrote

new music.  I went back to the forest

with my enemy, my ego, and

knocked on that door until my fist

was a raw thing.  I am waiting there

still, looking for wisdom, true,

but hungry moreover for a piece

of nonsense on which to base my life.

 

Some Kind of Happiness is Measured out in Miles

"Even this late it happens."

-Mark Strand

 The trick of the light, the

way you look in

tight jeans, the softness of

your face as you knit.

The way our daughter dances

on sticks, the way she

sings, the way it all moves

around like a bop.

The times Toby takes his will

and sweetly imposes it,

the patience he has, the way

he shapes himself, an

almost man.  It all, all,

is carrying me forward,

like a freshet, like a cataract,

like the long and winding sheet.

 

 

Blissom

 She couldnt even

wait till the movie

was over; she

reached where I was as

indurate as a pine-knot.

And, in the bedroom,

she was hot like a

swinked gypsy.

Who knew it meant nothing?

Who would have

guessed that years later

she would wrinkle her brow

at the mention

of my name?

That clangs around, she

says.  Is it

a spell, a magic word?

No, dear, its only refuse,

something to pass

over, ash

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