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BIO: COREY MESLER is the owner of Burke’s Book Store, in Memphis , Tennessee
, one of the country’s oldest (1875) and best independent bookstores. He has published poetry and
fiction in numerous journals including Rattle, Pindeldyboz, Quick Fiction, American Poetry Journal, Thema, Mars Hill Review,
Adirondack Review, Poet Lore and others. He has also been a book reviewer for The Memphis Commercial Appeal
and Memphis Flyer. A short story of his was chosen for the 2002 edition of New Stories from the South:
The Year’s Best, published by Algonquin Books. Talk, his first novel, appeared in
2002. Nice blurbs from Lee Smith, John Grisham, Robert Olen Butler, Frederick Barthelme, and others. His 2nd novel,
We Are Billion-Year-Old Carbon, came out in January 2006. It garnered praise from George Singleton, Marshall
Chapman, Steve Stern and others. His latest poetry chapbooks are Short Story and Other Short Stories (2006), The
Hole in Sleep (2006), The Lita Conversation (2006) and The Agoraphobe’s Pandiculations (2006).
His poem, “Sweet Annie Divine,” was chosen for Garrison Keillor’s The Writer’s Almanac. He
also claims to have written “Gitarzan.” Most importantly, he is Toby and Chloe’s dad
and Cheryl’s husband. He can be found at www.coreymesler.com.
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The Sons of Adam “Whatever shuts a human being away from the waterfall and the tiger will kill him.” --Robert
Bly The sons of Adam had gathered in the church basement. Gayla was serving her usual pot roast. One tall
guy, a real Viking, began the proceedings with a reading from the Book of Leonard Cohen. From there the meeting really hummed with fresh love. Perhaps too much so: when the Viking pulled down Gayla’s mask rumors rose to the surface. Gayla ended
up underneath the old man’s Chevrolet. The sons of Adam said their next meeting would be on secular
ground. Someone sug- gested the sloop kitchen. Someone else the Bank of the University of North Catatonia. It didn’t matter much. The sons of Adam were as flexible
as breeze in the downs. They met because getting together was meaningful,
because when men convene a third thing is born, a way to heal the inner dog, a way to the waterfall and the tiger,
yes.
. K. Williams at the Pink Palace,
November 2007 “Listened
like one in whom a train of novel ideas had been excited by the reasoning of the other.” --James
Fenimore Cooper The crowd was as large as life and almost as natural. The aisles were full of palm
trees, students in coats and mufti, castaways from the university.. C. K. Williams commandeered
the microphone, which kept drooping like a penis, like a potentate. The crowd stirred as if it believed it had the recipe for manna. The poems
rolled out over their heads like an ocean. The poems rolled out in an infinite stream, words that stormed and shook
and re- vived the sleeping saviors, from the poems long as a spear’s flight, from the concluding
books of the concluding gospel.
In my Dream Sarah Polley
In my dream Sarah Polley
plays my wife.
There is a house, a dream house.
It is furnished with
all the books I have written, rooms
of books. Friends,
it is furnished as if I were a potentate
instead of a poet.
And, at the end of a long day, adding
irony to irony, taking
pleasure where I can find it, behind
this pilcrow or that,
Sarah Polley is waiting for me.
She is wearing that smile, the one we
all get warm by, the smile
that says, there are things beyond
understanding, and dreams
are their abode.
This is the message of the dream,
the dream where
Sarah Polley is my wife.
In the bedroom of our house, did I
tell you?, there is
a bed made out of cloud, a dream bed.
It is there that the real poetry
is made or unmade. Amen. .
Ready
I wait at every door.
My name is the last
penciling near your phone.
The penultimate look you gave
me lingers in the air
like a bad cologne.
I act as if I can’t remember it.
There is news of
your arrival.
I search for my best heart.
About my Brother’s Novel The State of Grace
He tells me he’s only a storyteller.
I tell him the metaphor is his friend.
His words gather like hierophants.
I want to read the page after the page.
He calls me from Vermont, his voice
a tinkling along icy wires.
“Be atrocious,” he advises.
I open the book at random and find
something there that startles.
He writes from his lap. I do too but
because of a fire there.
He tells me he’s only a stenographer.
I dig up the bones of something we
both thought was buried.
I offer him these. He tells me the final
story.
Jacktar
The moon in the river
is not the moon.
It moves on like a dinghy,
one we built
from the detritus of childhood,
a dream boat.
The Band
They covered one
of my
favorite anthems.
I sat in the back near
the darkness
and the blond with the
tattoo gibbet.
They sang a song I think
they called Vulva.
Around midnight
the guitarist launched into
the story of my life.
I sat back like
Id heard it all before.
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I Love You, Keely Smith The drummer said the backbeat was made by a drunken rainstorm. The cigarette girl was spiking all the candles so that
they burned with bloody flames. The eyes of the audience had been replaced with olive pits. When the singer stepped to the microphone my heart did a villanelle.
I only wanted to return to a time when I loved like a monkey loves. I only wanted to take her in my paws and whisper my latest prescription. Instead I fell asleep like
a narco- leptic. Instead I fell apart like an erector set. Instead I fell in love like a man adrift, a listening stone. It was Keely Smith, Kitten. It was Keely Smith, Sardoodledom. It was always always Keely Smith.
Idyll
I wrote the word empyrean
on a colored sheet of paper.
It sat on my desk like a starfish,
so bright I could not take my
eyes from it. The children come
afternoons to stand and stare.
At night, when I am alone, I ask
of it simple things, food, hope,
a way out of the maze of personality.
Really, its silence is so inspiring!
Griot
“Women’s
work and children’s play. These are the mysteries.”
Peter Redgrove
I can hear her in there,
my daughter,
among the overabundance
of childhood
writing her soap operas,
moving along at
a confident clip,
never stopping to edit or
rewrite. She
has imagination that lasts
all day.
And while I listen to the
burble of her
voice through the door
I wonder at the stories
colliding in her little head.
Where did they come from?
And again—how can
I just let them die
in the air?
I motion my wife over to
listen also.
It’s the least I can do.
An audience of two for a
performance
given once, yet perfected
like a rock
granted centuries of lapidarian water
John and Bob and I
"Hear the cruel no-answer until blood drips down"
-Ikkyu
John Lennon, Bob Dylan and I
went out to the forest where
there dwelt a man so wise, it was
said, that few understood his
pronouncements.
When we approached
his hut we were blocked by
a sign, which read: I am always out.
John Lennon, Bob Dylan and I
stood for a while in abject silence
(for we had come far for nothing)
and when we once more reached
the city we parted without goodbyes.
John and Bob went home and wrote
new music. I
went back to the forest
with my enemy, my ego, and
knocked on that door until my fist
was a raw thing.
I am waiting there
still, looking for wisdom, true,
but hungry moreover for a piece
of nonsense on which to base my life.
Some Kind
of Happiness is Measured out in Miles
"Even this late it happens."
-Mark
Strand
The
trick of the light, the
way you look in
tight jeans, the softness of
your face as you knit.
The way our daughter dances
on sticks, the way she
sings, the way it all moves
around like a bop.
The times Toby takes his will
and sweetly imposes it,
the patience he has, the way
he shapes himself, an
almost man.
It all, all,
is carrying me forward,
like a freshet, like a cataract,
like the long and winding sheet.
Blissom
She couldnt
even
wait till the movie
was over; she
reached where I was as
indurate as a pine-knot.
And, in the bedroom,
she was hot like a
swinked gypsy.
Who knew it meant nothing?
Who would have
guessed that years later
she would wrinkle her brow
at the mention
of my name?
That clangs around, she
says. Is it
a spell, a magic
word?
No, dear, its only refuse,
something to pass
over, ash
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